View source for SGSI07 Music and Human Behavior

[http://sgsi.stanford.edu/music/ Stanford Graduate Summer Institute]

==SGSI Summer course in Musical Behavior==
* [mailto:menon@stanford.edu Vinod Menon]
* [mailto:brg@ccrma.stanford.edu Jonathan Berger]
* Assistants: [mailto:hiroko@ccrma.stanford.edu Hiroko Terasawa], [mailto:shchon@stanford.edu Song-Hui Chon] 
* Place: CCRMA, The Knoll. [http://maps.google.com/maps?f=q&hl=en&geocode=&q=660+Lomita+drive+stanford+CA+USA&sll=26.29444,-98.29158&sspn=0.011119,0.016737&ie=UTF8&ll=37.422253,-122.174492&spn=0.00985,0.016737&z=16&iwloc=addr&om=1 Map] 
**For concerts, CCRMA stage (3rd Floor.) For lectures, Classroom (2nd Floor.)

== Guest musicians and speakers ==
* Debra Fong
* Livia Sohn
* St. Lawrece String Quartet
* Malcolm Slaney
* John Chowning
* Gareth Loy
* Paul Kiparsky

==Schedule==

===Sunday, 9/16 5:30 p.m. ''Opening Concert''===
----
*  Dinner, Concert, Lecture.
* St. Lawrence String Quartet: ''Haydn, String quartet Op. 54.2'', ''Beethoven, String quartet Op. 132.''
* Jonathan Berger: ''Questioning Musical Behavior.''

===Monday 9/17 ''The Anatomy of Hearing''===
----
* 10:00 a.m. Vinod Menon: ''Brain Organism for Auditory Processing I and II.''
* 12:00 p.m. Lunch Break
* 2:00 p.m. Malcolm Slaney: ''Computational Auditory Models.''
* 3:00 p.m. Menon: ''Functional Brain Imaging.''
* 5:00 p.m. Leave Knoll to Medical Center
* 5:30 p.m. Lesley Robertson: Tour of fMRI.

===Tuesday 9/18 ''Learning and Memory''===
----
* 10:00 a.m. Berger and Livia Sohn: ''Largo, Bach C Major Sonata for violin - Performance aspects of attention and memory.''
* 11:00 a.m. Menon: ''Cognitive neuroscience of learning and memory: Implications for music.''
* 12:00 p.m. Lunch Break
* 1:00 p.m. Group project: experiment design. 
* 2:00 p.m. John Chowning: ''Perceptual fusion, Gestalt law of common fate, source identification and segregation.''
* 3:00 p.m. Group project: experiment design continued.
* 4:45 p.m. Leave to SF Opera (bus trip)
* 7:00 p.m. SF Opera, Wagner ''Tannhauser''

===Wednesday 9/19 ''Expectation in Music''===
----
* 10:00 a.m. Berger: ''Haydn Op. 54.2 -- a theory of musical expectations.''
* 11:00 a.m. Menon: ''Cognitive neuroscience of expectation and attention.''
* 12:00 a.m. Lunch Break
* 1:00 p.m. Group project: Implementing the experiment. 
* 2:00 p.m. Gareth Loy: ''Information Theory and the Mathematics of Expectation''
* 3:00 p.m. Group project: Implementing the experiment continued.
* 4:00 p.m. Chris Costanza and Debra Fong: ''Ravel, Sonata for violin and cello.''

===Thursday 9/20 ''Timing and temporal structures''===
----
* 10:00 a.m. Menon: ''Neural basis of temporal structure processing in music.''
* 11:00 a.m. Berger: ''Monophonic polymeter and imbroglio.''

* 12:00 p.m. Lunch Break

* 1:00 p.m. Group project: executing the experiment. 
* 2:00 p.m. Paul Kaparsky: ''Meter and prosody''
* 3:00 p.m. Group project: executing the experiment continued. 
* 4:00 p.m. Chris Costanza: ''Bach: Sarabande, c minor, cello suite''

===Friday 9/21 ''Emotion''===
----
* 10:00 a.m. Menon: ''Cognitive neuroscience of emotion in music.''
* 11:00 a.m. Group project presentation. 
* 12:00 p.m. Lunch and Concert
* 1:00 p.m. Berger, Menon, Fong, Sohn, and SLSQ: ''Emotion and affect.''
* 2:00 p.m. Menon and Berger: Wrap-up.

==Readings==
# ''The Neurosciences and Music'' Annals of the New York Academy of Sciences, November 2003 - Vol. 999, Page xi-532. [http://www.blackwell-synergy.com/toc/nyas/999/1 link]
# Peretz I, Zatorre RJ. ''Brain organization for music processing.'' Annu Rev Psychol. 2005;56:89-114. Review. PMID: 15709930 [http://www.ncbi.nlm.nih.gov/sites/entrez?Db=pubmed&Cmd=ShowDetailView&TermToSearch=15709930&ordinalpos=1&itool=EntrezSystem2.PEntrez.Pubmed.Pubmed_ResultsPanel.Pubmed_RVDocSum link]
# Peretz, I. & R. J. Zatorre. 2003. ''The Cognitive Neuroscience of Music.'' Oxford University Press, New York.
# ''The Neurosciences and Music II: From Perception to Performance.'' Annals of the New York Academy of Sciences, December 2005 - Vol. 1060. pp. xi-487. [http://www.blackwell-synergy.com/toc/nyas/1060/1 link] 
# Zatorre RJ, Chen JL, Penhune VB. ''When the brain plays music: auditory-motor interactions in music perception and production.'' Nat Rev Neurosci. 2007 Jul;8(7):547-58. PMID: 17585307. [http://www.ncbi.nlm.nih.gov/sites/entrez?Db=pubmed&Cmd=ShowDetailView&TermToSearch=17585307&ordinalpos=2&itool=EntrezSystem2.PEntrez.Pubmed.Pubmed_ResultsPanel.Pubmed_RVDocSum link]
# Stewart L, von Kriegstein K, Warren JD, Griffiths TD. ''Music and the brain: disorders of musical listening.'' Brain. 2006 Oct;129(Pt 10):2533-53. Epub 2006 Jul 15. Review. PMID: 16845129. [http://www.ncbi.nlm.nih.gov/sites/entrez?Db=pubmed&Cmd=ShowDetailView&TermToSearch=16845129&ordinalpos=11&itool=EntrezSystem2.PEntrez.Pubmed.Pubmed_ResultsPanel.Pubmed_RVDocSum link]
# McDonald I. ''Musical alexia with recovery: a personal account.'' Brain. 2006 Oct;129(Pt 10):2554-61. Epub 2006 Sep 7. PMID: 16959814.  [http://www.ncbi.nlm.nih.gov/sites/entrez?Db=pubmed&Cmd=ShowDetailView&TermToSearch=16959814&ordinalpos=1&itool=EntrezSystem2.PEntrez.Pubmed.Pubmed_ResultsPanel.Pubmed_RVDocSum link]
# Sridharan D, Levitin DJ, Chafe CH, Berger J, Menon V. ''Neural dynamics of event segmentation in music: converging evidence for dissociable ventral and dorsal networks.'' Neuron. 2007 Aug 2;55(3):521-32. PMID: 17678862. [http://www.ncbi.nlm.nih.gov/sites/entrez?Db=pubmed&Cmd=ShowDetailView&TermToSearch=17678862&ordinalpos=1&itool=EntrezSystem2.PEntrez.Pubmed.Pubmed_ResultsPanel.Pubmed_RVDocSum link]
# Blood, A.J. & Zatorre, R.J. ''Intensely pleasurable responses to music correlate with activity in brain regions implicated with reward and emotion.''  Proceedings of the National Academy of Sciences, 98, pp. 11818-11823 (2001) [http://www.ncbi.nlm.nih.gov/sites/entrez?Db=pubmed&Cmd=ShowDetailView&TermToSearch=11573015&ordinalpos=3&itool=EntrezSystem2.PEntrez.Pubmed.Pubmed_ResultsPanel.Pubmed_RVDocSum link] 
# Zatorre, R.J. & Halpern, A.R. ''Mental Concerts: Musical Imagery and Auditory Cortex.'' Neuron, 47, pp. 9-12 (2005) [http://www.ncbi.nlm.nih.gov/sites/entrez?Db=pubmed&Cmd=ShowDetailView&TermToSearch=15996544&ordinalpos=1&itool=EntrezSystem2.PEntrez.Pubmed.Pubmed_ResultsPanel.Pubmed_RVDocSum link]
# Krumhansl, C. L. ''Cognitive Foundations of Musical Pitch.'' New York: Oxford University Press, pp. 16-31 (1990)
# Krumhansl. C.L. ''Music: A Link Between Cognition and Emotion'' (2002) [http://www.blackwell-synergy.com/doi/abs/10.1111/1467-8721.00165 link]
# Current Directions in Psychological Science. Vol. 11 Issue 2 Page 45 April (2002) [http://www.psychologicalscience.org/members/gotoSynergy.cfm?issn=0963-7214&date=2002&volume=11&issue=2 link]
# Krumhansl, C.L. ''A perceptual analysis of Mozart's Piano Sonata K. 282: Segmentation, tension, and musical ideas.'' Music Perception 13 (3):401-432. (1996)

==Pre-course assignment==
Please answer the following and e-mail your responses to [mailto:shchon@stanford.edu Song-Hui Chon] 
# Succinctly describe what you hope to get out of this course and what you feel you can contribute.
# List five questions regarding music and human musical behavior that you would like to pursue in depth during the week of the summer course.