Difference between revisions of "MA MST Courses 2009"
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== MA/MST Course Requirements == | == MA/MST Course Requirements == | ||
| − | The | + | The information below was copied from the [http://www.stanford.edu/dept/registrar/bulletin/7105.htm course requirements] listed in the [http://www.stanford.edu/dept/registrar/bulletin/7094.htm music section] of the [http://www.stanford.edu/dept/registrar/bulletin/ Stanford Bulletin], Fall 2009. For latest information, see [http://exploredegrees.stanford.edu/schoolofhumanitiesandsciences/music/#masterstext]. |
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<!-- When offered? | <!-- When offered? | ||
|[http://ccrma.stanford.edu/courses/151/ MUSIC 151] | |[http://ccrma.stanford.edu/courses/151/ MUSIC 151] | ||
| + | [http://explorecourses.stanford.edu/CourseSearch/search?page=6&catalog=&q=MUSIC&view=catalog&filter-catalognumber-MUSIC=on&collapse= (Bulletin Entry)] | ||
|? units | |? units | ||
|An Introduction to Music Perception and Cognition | |An Introduction to Music Perception and Cognition | ||
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|4 units | |4 units | ||
|Human-Computer Interface Theory and Practice | |Human-Computer Interface Theory and Practice | ||
| + | |- | ||
| + | <!-- Not there yet: | ||
| + | |[http://ccrma.stanford.edu/courses/251/ MUSIC 251] | ||
| + | --> | ||
| + | |[http://explorecourses.stanford.edu/CourseSearch/search?page=14&catalog=&q=MUSIC&view=catalog&filter-catalognumber-MUSIC=on MUSIC 251] | ||
| + | |1-5 units | ||
| + | |Psychophysics and Music Cognition | ||
|- | |- | ||
|[http://ccarh.org/courses/253/ MUSIC 253] | |[http://ccarh.org/courses/253/ MUSIC 253] | ||
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|[http://ccrma.stanford.edu/courses/423/ MUSIC 423] | |[http://ccrma.stanford.edu/courses/423/ MUSIC 423] | ||
| − | |1 | + | |1-4 units |
|Signal Processing Research Seminar | |Signal Processing Research Seminar | ||
|} | |} | ||
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|[http://ccrma.stanford.edu/courses/128/ MUSIC 128] | |[http://ccrma.stanford.edu/courses/128/ MUSIC 128] | ||
| − | |1-5 | + | |1-5 units |
|Composing, Coding, and Performance for Laptop Orchestra | |Composing, Coding, and Performance for Laptop Orchestra | ||
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|1-4 units | |1-4 units | ||
|Composition for Electronic Musicians | |Composition for Electronic Musicians | ||
| + | |- | ||
| + | |[http://254.ccarh.org MUSIC 254] | ||
| + | |1-4 units | ||
| + | |Applications of Musical Information: Query, Analysis, and Style Simulation | ||
|- | |- | ||
|[http://cm-wiki.stanford.edu/wiki/Music_319 MUSIC 319] | |[http://cm-wiki.stanford.edu/wiki/Music_319 MUSIC 319] | ||
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|- | |- | ||
|[http://ccrma.stanford.edu/courses/423/ MUSIC 423] | |[http://ccrma.stanford.edu/courses/423/ MUSIC 423] | ||
| − | |1 | + | |1-4 units |
|Signal Processing Research Seminar | |Signal Processing Research Seminar | ||
|- | |- | ||
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== Links == | == Links == | ||
| − | [MA_MST_Info] | + | [[MA_MST_Info]] |
[http://ccrma.stanford.edu/courses/ All CCRMA Courses] | [http://ccrma.stanford.edu/courses/ All CCRMA Courses] | ||
Latest revision as of 12:15, 5 August 2014
Contents
MA/MST Course Requirements
The information below was copied from the course requirements listed in the music section of the Stanford Bulletin, Fall 2009. For latest information, see [1].
| MUSIC 154 | 3 units | Composition and Performance of Instrumental Music with Electronics |
| MUSIC 192A | 3 units | Foundations of Sound-Recording Technology |
| MUSIC 192B | 3 units | Advanced Sound-Recording Technology |
| MUSIC 220A | 4 units | Fundamentals of Computer-Generated Sound |
| MUSIC 220B | 4 units | Compositional Algorithms, Psychoacoustics, and Spatial Processing |
| MUSIC 220C | 4 units | Research Seminar in Computer-Generated Music |
| MUSIC 250A | 4 units | Human-Computer Interface Theory and Practice |
| MUSIC 320 | 4 units | Introduction to Digital Audio Signal Processing |
| MUSIC 420 | 3 units | Signal Processing Models in Musical Acoustics |
| MUSIC 421 | 3 units | Audio Applications of the Fast Fourier Transform |
The above courses comprise 35 of the 45 required units. Therefore, 10 units are available for electives. A further requirement is that at least 6 elective units be graduate level courses.
Required Courses by Quarter and CCRMA Electives to Consider
Fall Quarter
| MUSIC 192A | 3 units | Foundations of Sound-Recording Technology |
| MUSIC 220A | 4 units | Fundamentals of Computer-Generated Sound |
| MUSIC 250A | 4 units | Human-Computer Interface Theory and Practice |
| MUSIC 320 | 4 units | Introduction to Digital Audio Signal Processing |
Fall Quarter CCRMA Electives to Consider
| MUSIC 319 | 1 unit | Research Seminar on Computational Models of Sound Perception, Th 11-12:30, Knoll 315 |
| MUSIC 423 | 1 unit | Signal Processing Research Seminar, Fridays 3:15-5pm, Knoll 315 (Seminar Room) |
There is no room for full course electives in a standard 15-unit quarter, but here are some courses to consider proposing a substitution for with your advisor (e.g., if you have already had the material covered in one of the required courses):
| MUSIC 256A | 1-4 units | Software Design and Implementation for Computer Music |
| CS 106B | 3-5 units | Programming Abstractions |
| EE 263 | 3 units | Introduction to Linear Dynamical Systems |
Winter Quarter
| MUSIC 192B | 3 units | Advanced Sound-Recording Technology |
| MUSIC 220B | 4 units | Compositional Algorithms, Psychoacoustics, and Spatial Processing |
| MUSIC 420 | 3 units | Signal Processing Models in Musical Acoustics |
Winter Quarter CCRMA Electives to Consider
There are 5 units available in a standard 15-unit load. Note that you can free up more elective units by charting a non-DSP depth track with your advisor. The list of electives below is not exhaustive. Please feel free to add your own choices for others to consider! See the [#Links] section below for pointers to all available courses.
| MUSIC 150 | 3 units | Musical Acoustics |
| MUSIC 250B | 4 units | Human-Computer Interface Theory and Practice |
| MUSIC 251 | 1-5 units | Psychophysics and Music Cognition |
| MUSIC 253 | 1-4 units | Musical Information: An Introduction |
| MUSIC 256B | 1-4 units | Mobile Music |
| MUSIC 318 | 1-5 units | Advanced Acoustics Seminar |
| MUSIC 319 | 1 unit | Research Seminar on Computational Models of Sound Perception, Th 11-12:30, Knoll 315 |
| MUSIC 420 | 1 unit | 4th unit for independent project work |
| MUSIC 422 | 4 units | Perceptual Audio Coding |
| MUSIC 423 | 1-4 units | Signal Processing Research Seminar |
Spring Quarter
| MUSIC 154 | 3 units | Composition and Performance of Instrumental Music with Electronics |
| MUSIC 220C | 4 units | Research Seminar in Computer-Generated Music |
| MUSIC 421 | 3 units | Audio Applications of the Fast Fourier Transform |
Spring Quarter CCRMA Electives to Consider
There are 5 units available in a standard 15-unit load. Not included here are courses which are continuations of winter courses, as well as many other possibilities. Again, see the [#Links] section below for a comprehensive list (and watch your email for new course announcements!).
| MUSIC 128 | 1-5 units | Composing, Coding, and Performance for Laptop Orchestra |
| MUSIC 151 | 4 units | Psychophysics and cognitive psychology of music |
| MUSIC 223 | 1-4 units | Composition for Electronic Musicians |
| MUSIC 254 | 1-4 units | Applications of Musical Information: Query, Analysis, and Style Simulation |
| MUSIC 319 | 1-3 units | Research Seminar on Computational Models of Sound Perception, Th 11-12:30, Knoll 315 |
| MUSIC 421 | 1 unit | 4th unit for independent project work |
| MUSIC 423 | 1-4 units | Signal Processing Research Seminar |
| MUSIC 424 | 4 units | Signal Processing for Digital Audio Effects |
