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| − | Algorithmic Composition Bibliography
| + | == Frequently Asked Questions == |
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| | + | (and possibly infrequently asked ones too). |
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| − | '''Balaban, Mira., Ebcioğlu, Kemal, and Laske, Otto''' | + | example: |
| − | ''Understanding music with AI: perspectives on music cognition'' | + | * '''question''': how do I ask a question here? (ge) |
| − | Menlo Park [Calif.]: AAAI Press; Cambridge, Mass.:MIT Press, c1992.
| + | ** '''answer''': you just did! rock on! (ge) |
| − | < SUL Music ML74.3 .U55 1992 >
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| − | '''Bresin, Roberto'''
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| − | ''Virtual virtuosity: studies in automatic music performance''
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| − | Stockholm, Sweden: KTH, Speech Music and Hearing, 2000.
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| − | < SUL Music MT723 .B74 2000 >
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| − | '''Cope, David''' | + | * '''question''': what exactly IS astley synthesis? |
| − | 1. ''Computer models of musical creativity''
| + | ** '''answer''': you can find out more about it [http://www.yougotrickrolled.com/ here] |
| − | Cambridge, Mass.: MIT Press, c2005.
| + | |
| − | < SUL Music MT41 .C67 2005 >
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| − | | + | |
| − | 2. ''Virtual music: computer synthesis of musical style''
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| − | Cambridge, Mass.: MIT Press, c2001.
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| − | < SUL Music MT56 .C69 2001 >
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| − | | + | |
| − | Desain, Peter and Honing Henkjan
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| − | Music, mind and machine studies in computer music, music cognition and artificial intelligence
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| − | Amsterdam: Thesis Publishers, 1992.
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| − | < SUL Music ML1093 .D441 1992 >
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| − | | + | |
| − | '''Griffith, Niall and Todd, Peter M.''' | + | |
| − | ''Musical networks: parallel distributed perception and performance''
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| − | Cambridge, Mass.: MIT Press, c1999.
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| − | < SUL Music ML3838 .M955 1999 >
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| − | | + | |
| − | '''Loy, D. Gareth'''
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| − | ''Musimathics: the mathematical foundations of music''
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| − | London: MIT Press, c2006-2007.
| + | |
| − | < SUL Music ML3805 .L78 2006 V.1 >
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| − | < SUL Music ML3805 .L78 2006 V.2 >
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| − | | + | |
| − | '''Rowe, Robert'''
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| − | ''Interactive music systems: machine listening and composing''
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| − | Cambridge, Mass.: MIT Press, c1993.
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| − | < SUL Music MT723 .R879 1993 >
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| − | | + | |
| − | | + | |
| − | '''Taube, Heinrich'''
| + | |
| − | 1. ''Common music: a music composition language in Common Lisp and CLOS''
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| − | Stanford, Calif.: CCRMA, Dept. of Music, Stanford University, 1990.
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| − | < SUL Music ML63 .S785 NO.63 >
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| − | | + | |
| − | 2. ''Notes from the metalevel: introduction to algorithmic music composition''
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| − | Introduction to algorithmic music composition
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| − | London; New York: Taylor & Francis Group, c2004.
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| − | < SUL Music MT56 .T38 2004 >
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| − | | + | |
| − | '''Temperley, David'''
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| − | ''Music and probability''
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| − | Cambridge, Mass.: MIT Press, c2007.
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| − | < SUL Music ML3838 .T46 2007 >
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| − | | + | |
| − | '''Toiviainen, Petri'''
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| − | ''Modelling musical cognition with artificial neural networks''
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| − | Jyväskylä: University of Jyväskylä, 1996.
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| − | < SUL Music ML3838 .T65 1996 >
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| − | | + | |
| − | '''Travis Pope, Stephen'''
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| − | ''The Well-tempered object: musical applications of object-oriented software technology''
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| − | Cambridge, Mass.: MIT Press, c1991.
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| − | < SUL Music ML1093 .W447 1991 >
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| − | | + | |
| − | '''Winkler, Todd'''
| + | |
| − | ''Composing interactive music: techniques and ideas using Max''
| + | |
| − | Cambridge, Mass.: MIT Press, c1998.
| + | |
| − | < SUL Music MT56 .W5 1998 >
| + | |
(and possibly infrequently asked ones too).
