Difference between revisions of "Example Gestural Controllers"
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Note: Links to videos were put here by Edgar Berdahl and Michael Gurevich. | Note: Links to videos were put here by Edgar Berdahl and Michael Gurevich. | ||
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| + | ==More Information== | ||
| + | [https://ccrma.stanford.edu/wiki/Physical_Interfaces_for_Music Gurevich's old lecture] | ||
| + | [https://ccrma.stanford.edu/courses/250a/lectures/survey/ Gurevich's old lecture] | ||
Revision as of 20:02, 11 October 2009
The following videos are loosely grouped according to Eduardo Miranda and Marcelo Wanderley, "New Digital Musical Instruments: Control and Interaction Beyond the Keyboard," A-R Editions, 2006.
Some Categories
- Augmented Instruments
- Talking piano -- Talking piano
- Per Bloland, Steven Backer, and Edgar Berdahl -- Electromagnetically Prepared Piano
- Instrument-Like Controllers
- Wind synthesis (Ex. #2)
- Standard MIDI keyboards
- Instrument-Inspired Controllers
- Maurice Martenot Ondes Martenot
- Michael Gurevich & Stephan von Muehlen -- Accordiatron
- Trueman and Cook Bowed-Sensor-Speaker-Array
- Motivated by Rich Metaphors
- Michel Waisvisz -- The Hands
- Joe Paradiso -- Musical Trinkets
- Perry Cook -- Fillup Glass
- Gary Scavone -- Phoney Controller
- Mark Hauenstein -- Audio Shaker
- David Birnbaum -- Rulers
- Multiple Performers
- Sid Fels -- Tooka
- Jorda -- Reactable
- David Merrill, Tim Hankins, Jocelyn Robert -- COOL (120M)
- Rodrigo Segnini, Hiroko Terasawa, Vivian Woo -- Sound Kitchen (42M)
- Robotic/haptic musical instruments
- Collin Oldham - Cellomobo
- Edgar Berdahl - Haptic drum
- Eigenfeldt and Kapur -- Mahadevibot
- Lemur robot playing music
- Sonification
- Commercial controllers
- Max Mathews' Radio Baton
- Don Buchla's Lightning
- Don Buchla's Thunder
- Haken Audio's Continuum Fingerboard
- Yamaha / Toshio Iwai -- Tenori-on (video)
- Jazzmutant Lemur
- Yamaha Miburi (similar to Gypsy Motion -- DJ and Drums)
Note: Links to videos were put here by Edgar Berdahl and Michael Gurevich.
More Information
Gurevich's old lecture Gurevich's old lecture
