Jump to content

220b-winter-2008/Bib: Difference between revisions

From CCRMA Wiki
Marod (talk | contribs)
No edit summary
Marod (talk | contribs)
No edit summary
 
(2 intermediate revisions by 2 users not shown)
Line 22: Line 22:
< SUL Music MT56 .C69 2001 >
< SUL Music MT56 .C69 2001 >


Desain, Peter and Honing Henkjan
'''Desain, Peter and Honing Henkjan'''
Music, mind and machine studies in computer music, music cognition and artificial intelligence
''Music, mind and machine studies in computer music, music cognition and artificial intelligence''
Amsterdam: Thesis Publishers, 1992.
Amsterdam: Thesis Publishers, 1992.
< SUL Music ML1093 .D441 1992 >
< SUL Music ML1093 .D441 1992 >
Line 42: Line 42:
Cambridge, Mass.: MIT Press, c1993.
Cambridge, Mass.: MIT Press, c1993.
< SUL Music MT723 .R879 1993 >
< SUL Music MT723 .R879 1993 >


'''Taube, Heinrich'''
'''Taube, Heinrich'''
Line 77: Line 76:
Links:
Links:


* [http://ccrma-www.stanford.edu/~tkunze/res/algobib.html / Bibliography on AC by Tobias Kunze]
* [http://ccrma-www.stanford.edu/~tkunze/res/algobib.html Bibliography on AC by Tobias Kunze]
 
* [http://eamusic.dartmouth.edu/~wowem/hardware/algorithmdefinition.html A definition of “Algorithm” by Kristine H. Burns]
 
* [http://ccrma.stanford.edu/~blackrse/algorithm.html A Brief History of AC by John Maurer]
 
* [http://www.flexatone.net/algoNet  Additional information, resources and a discussion forum on AC]


* [http://eamusic.dartmouth.edu/~wowem/hardware/algorithmdefinition.html / A definition of “Algorithm” by Kristine H. Burns]


* [http://ccrma.stanford.edu/~blackrse/algorithm.html / A Brief History of AC by John Maurer]


* [http://www.flexatone.net/algoNet / Additional information, resources and a discussion forum on AC]


* [http://site.ebrary.com/lib/stanford/Doc?id=10158038 / Real sound synthesis for interactive applications (Available online to Stanford Students)




Mauricio Rodriguez 2008
Compiled by Mauricio Rodriguez - 2008

Latest revision as of 03:58, 23 September 2008

Algorithmic Composition Bibliography


Balaban, Mira., Ebcioğlu, Kemal, and Laske, Otto Understanding music with AI: perspectives on music cognition Menlo Park [Calif.]: AAAI Press; Cambridge, Mass.:MIT Press, c1992. < Stanford University Libraries (SUL) Music ML74.3 .U55 1992 >

Bresin, Roberto Virtual virtuosity: studies in automatic music performance Stockholm, Sweden: KTH, Speech Music and Hearing, 2000. < SUL Music MT723 .B74 2000 >

Cope, David 1. Computer models of musical creativity Cambridge, Mass.: MIT Press, c2005. < SUL Music MT41 .C67 2005 >

2. Virtual music: computer synthesis of musical style Cambridge, Mass.: MIT Press, c2001. < SUL Music MT56 .C69 2001 >

Desain, Peter and Honing Henkjan Music, mind and machine studies in computer music, music cognition and artificial intelligence Amsterdam: Thesis Publishers, 1992. < SUL Music ML1093 .D441 1992 >

Griffith, Niall and Todd, Peter M. Musical networks: parallel distributed perception and performance Cambridge, Mass.: MIT Press, c1999. < SUL Music ML3838 .M955 1999 >

Loy, D. Gareth Musimathics: the mathematical foundations of music London: MIT Press, c2006-2007. < SUL Music ML3805 .L78 2006 V.1 > < SUL Music ML3805 .L78 2006 V.2 >

Rowe, Robert Interactive music systems: machine listening and composing Cambridge, Mass.: MIT Press, c1993. < SUL Music MT723 .R879 1993 >

Taube, Heinrich 1. Common music: a music composition language in Common Lisp and CLOS Stanford, Calif.: CCRMA, Dept. of Music, Stanford University, 1990. < SUL Music ML63 .S785 NO.63 >

2. Notes from the metalevel: introduction to algorithmic music composition Introduction to algorithmic music composition London; New York: Taylor & Francis Group, c2004. < SUL Music MT56 .T38 2004 >

Temperley, David Music and probability Cambridge, Mass.: MIT Press, c2007. < SUL Music ML3838 .T46 2007 >

Toiviainen, Petri Modelling musical cognition with artificial neural networks Jyväskylä: University of Jyväskylä, 1996. < SUL Music ML3838 .T65 1996 >

Travis Pope, Stephen The Well-tempered object: musical applications of object-oriented software technology Cambridge, Mass.: MIT Press, c1991. < SUL Music ML1093 .W447 1991 >

Winkler, Todd Composing interactive music: techniques and ideas using Max Cambridge, Mass.: MIT Press, c1998. < SUL Music MT56 .W5 1998 >


Links:




Compiled by Mauricio Rodriguez - 2008