Music 420: Difference between revisions
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'''Prereqs:''' | '''Prereqs:''' | ||
* [ | * [https://ccrma.stanford.edu/courses/320/ Music 320] | ||
* [http://explorecourses.stanford.edu/CourseSearch/search?view=catalog&catalog=&page=0&q=PHYSICS&filter-catalognumber-PHYSICS=on Physics 21] | * [http://explorecourses.stanford.edu/CourseSearch/search?view=catalog&catalog=&page=0&q=PHYSICS&filter-catalognumber-PHYSICS=on Physics 21] | ||
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'''Topics:''' | '''Topics:''' | ||
* [https://ccrma.stanford.edu/~jos/IntroPM/ Summary of Model Types] | |||
* [http://www.harmony-central.com/Effects/Articles/Delay/ Delay lines] | * [http://www.harmony-central.com/Effects/Articles/Delay/ Delay lines] | ||
** [http://ccrma.stanford.edu/~jos/pasp/Comb_Filters.html comb filters] | ** [http://ccrma.stanford.edu/~jos/pasp/Comb_Filters.html comb filters] | ||
Latest revision as of 04:57, 9 January 2010
Signal Processing Models in Musical Acoustics
Prereqs:
Software:
Topics:
- Summary of Model Types
- Delay lines
- Artificial reverberation and spatialization
- Interpolated delay
- Doppler simulation
- Leslie effect
- Plucked/struck strings
- waveguide strings
- commuted synthesis
- Single-reed woodwinds
- toneholes
- bowed strings
- playability studies
- Force waves
- Scattering junctions
- Horn filter design