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Short blurbs and links to project pages:
Short blurbs and links to project pages:


* [https://ccrma.stanford.edu/~berlach/220c/granular.html <b>Bjoern Erlach</b>] - w/ J. Abel. Subsample precise granular synthesis.
* [https://ccrma.stanford.edu/~cforkish/220c/<b>Charlie Forkish</b>] - Produce a stage show. Develop a system that will take inputs from each player (of about five), and visualize each input to a freakin' OVERHEAD PROJECTOR(!) — using freq. analysis/tracking, envelope tracking, timbre tracking, etc...
* [https://ccrma.stanford.edu/~hanaboy/220c/ <b>Stephen Henderson</b>] - Alzheimer's helped by medial prefrontal cortex? helped by music?
* [https://ccrma.stanford.edu/~hanaboy/220c/ <b>Stephen Henderson</b>] - Alzheimer's helped by medial prefrontal cortex? helped by music?
* <b>Grahame Lesh</b> - Live Video Recording/Editing of a band based on their output.
* [https://ccrma.stanford.edu/~leshg/220C/<b>Grahame Lesh</b>] - Live Automatic Video Editor
* [http://ccrma.stanford.edu/~tymaue/220c/ <b>Tyler Maue</b>] - Lüp-It: One-man band loop generator.
* [https://ccrma.stanford.edu/~lmelvin/220c/ <b>Linden Melvin</b>] - Live Sound Synthesis to make a Soundscape
* <b>Dohi Moon</b> - Electronic Music + Animation (String Quartet)
* <b>Dohi Moon</b> - Electronic Music + Animation (String Quartet)
* <b>Francesco Georg</b> - Webcam motion tracking of dancing/gesture for control of music
* [https://ccrma.stanford.edu/~craffel/sound/echo <b>Colin Raffel</b>] - Getting Rain Barrels - Live sampling, wireless miking — group music making.
* <b>Tyler Maue</b> - Game-based, Loop-Generating, based on Simon™, using BopIt™-inspired interface with a computer to generate video/music.
* [https://ccrma.stanford.edu/~mrepper/220c/ <b>Michael Repper</b>] - Bending Music, Spectrograms for Donald Barra's new book, "Shaping Music"
* [https://ccrma.stanford.edu/wiki/Shep421 <b>Adam Shepperd</b>] - Composition for infrasonics. Creation of very low frequency driver using tactile transducers and found satellite dish.
* [https://ccrma.stanford.edu/~isyiwang/220c/ <b>Isaac Wang</b>] - Expansion of 220B project - sonifying twitter updates - Something generative/automated that also sounds good, put interface on server so that people can "tweet" from anywhere. Collaborative.
* [https://ccrma.stanford.edu/~isyiwang/220c/ <b>Isaac Wang</b>] - Expansion of 220B project - sonifying twitter updates - Something generative/automated that also sounds good, put interface on server so that people can "tweet" from anywhere. Collaborative.
* <b>Jacob Wittenberg</b> - divine players choices (maybe in Jazz?) with MIDI info, formulate algorythms based on choices made by performers - learn the probabilities for different things (Machine learning) so that one can play a duet with oneself.  The computer "knows" one's style. 
* [https://ccrma.stanford.edu/~jwitt90/220c/bass/bassweb.htm <b>Jacob Wittenberg</b>] - The Faceless Bass Player.  A virtual bass player that can accompany a jazz pianist on a song that the pianist inputs.  The first step in a to-be-extended-and-improved model for jazz bass players.
* <b>Charlie Forkish</b> - Produce a stage show. Develop a system that will take inputs from each player (of about five), and visualize each input to <b>a freakin' LASER BEAM(!)</b> — using freq. analysis/tracking, envelope tracking, timbre tracking, etc...
*[https://ccrma.stanford.edu/~xiangzh/Site/Site/220C.html <b>Xiang Zhang</b>]  - w/ J. Abel. 3d modeling, acoustic modeling  
* <b>Uri Nieto</b> - iPad application; Lemur-like, granular synthesis, more "react-pad." "group" performance.
 
* <b>Colin Raffel</b> - Getting Rain Barrels - Live sampling, wireless miking — group music making.
~
* <b>Linden Melvin</b> - [https://ccrma.stanford.edu/~lmelvin/220c/ My Project Webpage]
* <b>Adam Shepperd</b> - live noise compositions in the past; finding a new way to present the material to people: create a sound sculpture with the older noise compositions. 64 compositions (one for each day of this quarter) edit them down, for the sound sculpture, using bobbing birds, monome, and arduino.  SOUND SCULPTURE WILL BE THE PRESENTATION OF THESE 64 COMPOSITIONS.
* <b>Xiang Zhang</b> - w/ J. Abel. 3d modeling, acoustic modeling
* <b>Bjoern Erlach</b> - w/ J. Abel. inter-sampling artifact calibration, acoustic modeling
* [https://ccrma.stanford.edu/~mrepper/220c/ <b>Michael Repper</b>] - Bending Music, Spectrograms for Donald Barra's new book, "Shaping Music"


==CONCERT PLANNING==
==CONCERT PLANNING==
Thurs. May 27, 2010:
 
*Lesh
<b>Thurs. May 27, 2010</b>
*Moon/SLSQ
 
*Georg
Sound-check SAME DAY.
<b>sound-check order:</b>
 
*Isaac 3:30pm
*Tyler 4pm
*Jacob 4:30pm
*Linden 5pm
*Graham 5:30pm
 
<i>outside</i>
 
*Adam 6pm
*Colin 6:30pm
 
 
<b>CONCERT order:</b>
*Melvin
*Wittenberg
*Maue
*Maue
*Bjoern
*Wang
*Wang
*Forkish (laser apparatus)
*Graham
*Nieto?
 
*Wittenberg?
<i>outside</i>
*Raffel
 
*Melvin
*Adam
*Sheppard
*Colin
===Backyard reqs.===
 
 
Backyard reqs.
*risers
*risers
*screen
*screen
*PA
*PA
*stage
*stage
===Rehearsal Times:===
*Linden - M 6-7:30, T 6:30-8, W 12-1:30
*Jacob - M 4:15-6, T 10-11
*Tyler - M 7:30-9, W 2:30-4, R 12-1
*Colin - M 3-4, T 5-6:30, W 1:30-2:30
*Adam - W 4-5
*Bjoern - T 9-10
*Isaac - T 8-9, W 5-6,
*Grahame - T 11-12, W 11-12
<b> UP-TO-DATE VERSION ON GOOGLE CALENDARS [http://www.google.com/calendar/embed?src=ep3pf4t74b4pph5vu931somp10%40group.calendar.google.com&ctz=America/Los_Angeles  HERE!]</b>
[[Image:Rehearse220c_03.jpg]]


----
----
Email [mailto:cc@ccrma.stanford.edu Chris] ~  
Email [mailto:cc@ccrma.stanford.edu Chris] ~  
Email [mailto:mpberger@ccrma.stanford.edu Michael]
Email [mailto:mpberger@ccrma.stanford.edu Michael]

Latest revision as of 03:13, 25 June 2010

Music 220c - Research Seminar in Computer-Generated Music

About the Class

Use the Space Below to Link to Your Project Pages/Wikis

Short blurbs and links to project pages:

  • Bjoern Erlach - w/ J. Abel. Subsample precise granular synthesis.
  • Charlie Forkish - Produce a stage show. Develop a system that will take inputs from each player (of about five), and visualize each input to a freakin' OVERHEAD PROJECTOR(!) — using freq. analysis/tracking, envelope tracking, timbre tracking, etc...
  • Stephen Henderson - Alzheimer's helped by medial prefrontal cortex? helped by music?
  • Grahame Lesh - Live Automatic Video Editor
  • Tyler Maue - Lüp-It: One-man band loop generator.
  • Linden Melvin - Live Sound Synthesis to make a Soundscape
  • Dohi Moon - Electronic Music + Animation (String Quartet)
  • Colin Raffel - Getting Rain Barrels - Live sampling, wireless miking — group music making.
  • Michael Repper - Bending Music, Spectrograms for Donald Barra's new book, "Shaping Music"
  • Adam Shepperd - Composition for infrasonics. Creation of very low frequency driver using tactile transducers and found satellite dish.
  • Isaac Wang - Expansion of 220B project - sonifying twitter updates - Something generative/automated that also sounds good, put interface on server so that people can "tweet" from anywhere. Collaborative.
  • Jacob Wittenberg - The Faceless Bass Player. A virtual bass player that can accompany a jazz pianist on a song that the pianist inputs. The first step in a to-be-extended-and-improved model for jazz bass players.
  • Xiang Zhang - w/ J. Abel. 3d modeling, acoustic modeling

~

CONCERT PLANNING

Thurs. May 27, 2010

Sound-check SAME DAY. sound-check order:

  • Isaac 3:30pm
  • Tyler 4pm
  • Jacob 4:30pm
  • Linden 5pm
  • Graham 5:30pm

outside

  • Adam 6pm
  • Colin 6:30pm


CONCERT order:

  • Melvin
  • Wittenberg
  • Maue
  • Bjoern
  • Wang
  • Graham

outside

  • Adam
  • Colin


Backyard reqs.

  • risers
  • screen
  • PA
  • stage

Rehearsal Times:

  • Linden - M 6-7:30, T 6:30-8, W 12-1:30
  • Jacob - M 4:15-6, T 10-11
  • Tyler - M 7:30-9, W 2:30-4, R 12-1
  • Colin - M 3-4, T 5-6:30, W 1:30-2:30
  • Adam - W 4-5
  • Bjoern - T 9-10
  • Isaac - T 8-9, W 5-6,
  • Grahame - T 11-12, W 11-12


UP-TO-DATE VERSION ON GOOGLE CALENDARS HERE!


Email Chris ~ Email Michael

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