Difference between revisions of "220c-spring-2013"
From CCRMA Wiki
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- Rehearsal and Tech prep = about 2 hrs (though I could be quicker if necessary) | - Rehearsal and Tech prep = about 2 hrs (though I could be quicker if necessary) | ||
- Fixed media. Will use Ardour3 on the CCRMA linux machine. | - Fixed media. Will use Ardour3 on the CCRMA linux machine. | ||
+ | |||
+ | * Gestalt Rock - Micah Arvey | ||
+ | - As many speakers as will be there. 1-24 is fine. | ||
+ | - Projector needed, mainly to display UI and waveform. | ||
+ | - Rehearsal and Tech prep = about 10 minutes | ||
+ | - Any computer with Google Chrome that can be hooked up to projector and speakers | ||
= Blogs = | = Blogs = |
Revision as of 10:38, 3 May 2013
Music 220C: Course Wiki
This is a community wiki page maintained by Music 220C class.
Note: Register a link to your project blog in the section below.
Project Description
Please write up your system and possible needs for the concert. Make it short!
- example: my project
- 24 speakers (from my audio system) - 3 beam projector (from Processing) - Rehearsal and Tech prep = about 1 hr - 2 players - Disklavier
- Tim O'Brien's piece. (Title to be finalized soon.)
- 24 speakers + maybe additional small speakers at odd angles (I already discussed this with Nando and will continue to communicate with him and Carr) - No projector. Lights off if possible, or some low lighting emphasizing the speakers. - Rehearsal and Tech prep = about 2 hrs (though I could be quicker if necessary) - Fixed media. Will use Ardour3 on the CCRMA linux machine.
- Gestalt Rock - Micah Arvey
- As many speakers as will be there. 1-24 is fine. - Projector needed, mainly to display UI and waveform. - Rehearsal and Tech prep = about 10 minutes - Any computer with Google Chrome that can be hooked up to projector and speakers
Blogs
Nik Sawe - Converting fMRI Signal into a Symphony
Micah Arvey - Web Application for active and custom listening
Romain Michon - Composition for the Chanforgnophone
Reza Payami - A real-time component based on voice analysis/synthesis models
Emily Graber - Musical Computer Music
Andy Stuhl - Research on Imagined Sound and Inner Voice
Kunal Datta - AudioTour. (name pending)
Tim O'Brien - CodeBreaker
Erin Baumann - Synesthesia and Pitch Memory