Chavin: Difference between revisions
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= Chavín de Huántar Archeological Acoustics Project = | = Chavín de Huántar Archeological Acoustics Project = | ||
Acoustic Measurement, Archiving, Analysis and Modeling, and Simulation/Installation | '''Acoustic Measurement, Archiving, Analysis and Modeling, and Simulation/Installation''' | ||
''' | |||
Co-investigators: | Co-investigators:''' | ||
•John Rick, PhD, Professor, Stanford University, Archaeology/Anthropology | •John Rick, PhD, Professor, Stanford University, Archaeology/Anthropology | ||
•Julius O. Smith, PhD, Professor, Stanford University, Center for Computer Research in Music and Acoustics (CCRMA)/Electrical Engineering (by courtesy) | •Julius O. Smith, PhD, Professor, Stanford University, Center for Computer Research in Music and Acoustics (CCRMA)/Electrical Engineering (by courtesy) | ||
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•Patty Huang, MA, Graduate Student, Stanford University, CCRMA | •Patty Huang, MA, Graduate Student, Stanford University, CCRMA | ||
•Miriam Kolar, MFA, Graduate Student, Stanford University, CCRMA | •Miriam Kolar, MFA, Graduate Student, Stanford University, CCRMA | ||
Coordinator: | |||
'''Coordinator:''' | |||
•John Chowning, DMA, Professor Emeritus, Stanford University, CCRMA/Music | •John Chowning, DMA, Professor Emeritus, Stanford University, CCRMA/Music | ||
Local collaborators: | |||
'''Local collaborators:''' | |||
•(Museum director) | •(Museum director) | ||
Team Background: | |||
'''Team Background:''' | |||
•John Rick has been heading excavations and directing research at the Chavín site since 1995 | •John Rick has been heading excavations and directing research at the Chavín site since 1995 | ||
•Digital waveguide techniques were pioneered at CCRMA by Julius O. Smith III; Smith and Jonathan S. Abel have been working together on acoustic array processing and related problems since 1985 | •Digital waveguide techniques were pioneered at CCRMA by Julius O. Smith III; Smith and Jonathan S. Abel have been working together on acoustic array processing and related problems since 1985 | ||
•Patty Huang is a 4th year graduate student working under Abel on physical modeling of reverberant spaces | •Patty Huang is a 4th year graduate student working under Abel on physical modeling of reverberant spaces | ||
•Miriam Kolar is a 2nd year graduate student with extensive field experience in recording engineering | •Miriam Kolar is a 2nd year graduate student with extensive field experience in recording engineering | ||
•John Chowning is a composer having long standing interest in spatial modeling | •John Chowning is a composer having long standing interest in spatial modeling | ||
•CCRMA has expertise in field measurements, psychoacoustics, digital signal processing, and artificial reverberation | •CCRMA has expertise in field measurements, psychoacoustics, digital signal processing, and artificial reverberation | ||
Revision as of 22:31, 7 January 2008
Chavín de Huántar Archeological Acoustics Project
Acoustic Measurement, Archiving, Analysis and Modeling, and Simulation/Installation
Co-investigators: •John Rick, PhD, Professor, Stanford University, Archaeology/Anthropology •Julius O. Smith, PhD, Professor, Stanford University, Center for Computer Research in Music and Acoustics (CCRMA)/Electrical Engineering (by courtesy) •Jonathan S. Abel, PhD, Consulting Professor, Stanford University, CCRMA •Patty Huang, MA, Graduate Student, Stanford University, CCRMA •Miriam Kolar, MFA, Graduate Student, Stanford University, CCRMA
Coordinator: •John Chowning, DMA, Professor Emeritus, Stanford University, CCRMA/Music
Local collaborators: •(Museum director)
Team Background:
•John Rick has been heading excavations and directing research at the Chavín site since 1995
•Digital waveguide techniques were pioneered at CCRMA by Julius O. Smith III; Smith and Jonathan S. Abel have been working together on acoustic array processing and related problems since 1985
•Patty Huang is a 4th year graduate student working under Abel on physical modeling of reverberant spaces
•Miriam Kolar is a 2nd year graduate student with extensive field experience in recording engineering
•John Chowning is a composer having long standing interest in spatial modeling
•CCRMA has expertise in field measurements, psychoacoustics, digital signal processing, and artificial reverberation