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= Chavín de Huántar Archeological Acoustics Project =  
= Chavín de Huántar Archeological Acoustics Project =  


'''Acoustic Measurement, Archiving, Analysis and Modeling, and Simulation/Installation'''
=='''Acoustic Measurement, Archiving, Analysis and Modeling, and Simulation/Installation'''==


'''
'''
Co-investigators:'''
Co-investigators:'''
•John Rick, PhD, Professor, Stanford University, Archaeology/Anthropology
* John Rick, PhD, Professor, Stanford University, Archaeology/Anthropology
•Julius O. Smith, PhD, Professor, Stanford University, Center for Computer Research in Music and Acoustics (CCRMA)/Electrical Engineering (by courtesy)  
* Julius O. Smith, PhD, Professor, Stanford University, Center for Computer Research in Music and Acoustics (CCRMA)/Electrical Engineering (by courtesy)  
•Jonathan S. Abel, PhD, Consulting Professor, Stanford University, CCRMA
* Jonathan S. Abel, PhD, Consulting Professor, Stanford University, CCRMA
•Patty Huang, MA, Graduate Student, Stanford University, CCRMA
* Patty Huang, MA, Graduate Student, Stanford University, CCRMA
•Miriam Kolar, MFA, Graduate Student, Stanford University, CCRMA
* Miriam Kolar, MFA, Graduate Student, Stanford University, CCRMA


'''Coordinator:'''
'''Coordinator:'''
•John Chowning, DMA, Professor Emeritus, Stanford University, CCRMA/Music
* John Chowning, DMA, Professor Emeritus, Stanford University, CCRMA/Music


'''Local collaborators:'''
'''Local collaborators:'''
Line 19: Line 19:


'''Team Background:'''  
'''Team Background:'''  
•John Rick has been heading excavations and directing research at the Chavín site since 1995
* John Rick has been heading excavations and directing research at the Chavín site since 1995
 
* Digital waveguide techniques were pioneered at CCRMA by Julius O. Smith III; Smith and Jonathan S. Abel have been working together on acoustic array processing and related problems since 1985
•Digital waveguide techniques were pioneered at CCRMA by Julius O. Smith III; Smith and Jonathan S. Abel have been working together on acoustic array processing and related problems since 1985
* Patty Huang is a 4th year graduate student working under Abel on physical modeling of reverberant spaces
 
* Miriam Kolar is a 2nd year graduate student with extensive field experience in recording engineering
•Patty Huang is a 4th year graduate student working under Abel on physical modeling of reverberant spaces
* John Chowning is a composer having long standing interest in spatial modeling
 
* CCRMA has expertise in field measurements, psychoacoustics, digital signal processing, and artificial reverberation
•Miriam Kolar is a 2nd year graduate student with extensive field experience in recording engineering
 
•John Chowning is a composer having long standing interest in spatial modeling
 
•CCRMA has expertise in field measurements, psychoacoustics, digital signal processing, and artificial reverberation

Revision as of 22:34, 7 January 2008

Chavín de Huántar Archeological Acoustics Project

Acoustic Measurement, Archiving, Analysis and Modeling, and Simulation/Installation

Co-investigators:

  • John Rick, PhD, Professor, Stanford University, Archaeology/Anthropology
  • Julius O. Smith, PhD, Professor, Stanford University, Center for Computer Research in Music and Acoustics (CCRMA)/Electrical Engineering (by courtesy)
  • Jonathan S. Abel, PhD, Consulting Professor, Stanford University, CCRMA
  • Patty Huang, MA, Graduate Student, Stanford University, CCRMA
  • Miriam Kolar, MFA, Graduate Student, Stanford University, CCRMA

Coordinator:

  • John Chowning, DMA, Professor Emeritus, Stanford University, CCRMA/Music

Local collaborators: •(Museum director)


Team Background:

  • John Rick has been heading excavations and directing research at the Chavín site since 1995
  • Digital waveguide techniques were pioneered at CCRMA by Julius O. Smith III; Smith and Jonathan S. Abel have been working together on acoustic array processing and related problems since 1985
  • Patty Huang is a 4th year graduate student working under Abel on physical modeling of reverberant spaces
  • Miriam Kolar is a 2nd year graduate student with extensive field experience in recording engineering
  • John Chowning is a composer having long standing interest in spatial modeling
  • CCRMA has expertise in field measurements, psychoacoustics, digital signal processing, and artificial reverberation