Music: Difference between revisions

Revision as of 11:13, 27 January 2008

Chris Warren

Radio Play (stereo downmix): This piece drowns the listener in a sonic reimagining of the ocean of radio waves surrounding us at all times. To extend that metaphor of immersion, I composed it for the Listening Room.

Halcyonic, written for that feedback piano lurking around up on the stage. This piece was named after a fictitious psychotropic drug that was supposedly removed from the market after its prescriptants experienced vivid nightmares.

Phoning it In (stereo downmix), for eleven (asynchronous) cell phones.

Error:Map, for 8-string and electronics.

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 [http://www.alloyelectric.com/music/radioplay.mp3 Radio Play (stereo downmix)]: This piece drowns the listener in a sonic reimagining of the ocean of radio waves surrounding us at all times. To extend that metaphor of immersion, I composed it for the Listening Room.
+[http://www.alloyelectric.com/music/halcyonic.mp3 Halcyonic], written for that feedback piano lurking around up on the stage.  This piece was named after a fictitious psychotropic drug that was supposedly removed from the market after its prescriptants experienced vivid nightmares.
 [http://www.alloyelectric.com/music/phoningitin.mp3 Phoning it In (stereo downmix)], for eleven (asynchronous) cell phones.
 [http://www.alloyelectric.com/music/errormap.mp3 Error:Map], for 8-string and electronics.
-[http://www.alloyelectric.com/music/halcyonic.mp3 Halcyonic], written for that feedback piano lurking around up on the stage.  This piece was named after a fictitious psychotropic drug that was supposedly removed from the market after its prescriptants experienced vivid nightmares.