Vibrato: Difference between revisions

Revision as of 23:12, 20 July 2009

Vincent Verfaille, Catherine Guastavino, Philippe Depalle

Proceedings of the Conference on Interdisciplinary Musicology (CIM05)

spectral envelope modulation
frequency-dependent hysteresis behavior
test: preference for sounds with modulated spectral envelope
offers great literature review & background info on vibrato pitch, rate, extent, shape, and temporal evolution
vibrato is made of at least one of these three kind of modulations:

* How much of the analysis is instrument-specific, and how much is it performer/ context/ style-specific?

* It'd be interesting to see a more music-passage specific (higher level) analysis as opposed to instrument-specific modelling

@@ Line 7: / Line 7: @@
 :* frequency-dependent hysteresis behavior
 :* test: preference for sounds with modulated spectral envelope
-:* --> great literature review & background info on vibrato pitch, rate, extent, shape, and temporal evolution
+:* offers great literature review & background info on vibrato pitch, rate, extent, shape, and temporal evolution
 :* vibrato is made of at least one of these three kind of modulations:
 :# amplitude modulation (predominant in wind and brass instr)
 :# frequency modulation (predominant in voice and string instr)
 :# spectral envelope modulation and hysteresis (existing in wind, brass, voice)
+:* Questions & thoughts:
+:: * How much of the analysis is instrument-specific, and how much is it performer/ context/ style-specific?
+:: * It'd be interesting to see a more music-passage specific (higher level) analysis as opposed to instrument-specific modelling