MA MST Courses 2009: Difference between revisions
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|[[http://ccrma.stanford.edu/courses/150/ MUSIC 150]] | |[[http://ccrma.stanford.edu/courses/150/ MUSIC 150]] | ||
|? units | |||
|Musical Acoustics | |Musical Acoustics | ||
|- | |- | ||
|[[http://ccrma.stanford.edu/courses/256B/ MUSIC 256B]] | |[[http://ccrma.stanford.edu/courses/256B/ MUSIC 256B]] | ||
|? units | |||
|Stanford Laptop Orchestra (SLOrk) | |Stanford Laptop Orchestra (SLOrk) | ||
|- | |- | ||
|[[http://ccrma.stanford.edu/courses/422/ MUSIC 422]] | |[[http://ccrma.stanford.edu/courses/422/ MUSIC 422]] | ||
|4 units | |||
|Perceptual Audio Coding | |Perceptual Audio Coding | ||
|- | |- | ||
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|[[http://ccrma.stanford.edu/courses/420/ MUSIC 420]] | |[[http://ccrma.stanford.edu/courses/420/ MUSIC 420]] | ||
|1 unit | |||
|4th unit for independent project work | |4th unit for independent project work | ||
|} | |} | ||
Revision as of 06:18, 18 September 2009
MA/MST Course Requirements
The following was copied from the Bulletin, Fall 2009:
| [MUSIC 154] | 3 units | Composition and Performance of Instrumental Music with Electronics |
| [MUSIC 192A] | 3 units | Foundations of Sound-Recording Technology |
| [MUSIC 192B] | 3 units | Advanced Sound-Recording Technology |
| [MUSIC 220A] | 4 units | Fundamentals of Computer-Generated Sound |
| [MUSIC 220B] | 4 units | Compositional Algorithms, Psychoacoustics, and Spatial Processing |
| [MUSIC 220C] | 4 units | Research Seminar in Computer-Generated Music |
| [MUSIC 250A] | 4 units | Human-Computer Interface Theory and Practice |
| [MUSIC 320] | 4 units | Introduction to Digital Audio Signal Processing |
| [MUSIC 420] | 3 units | Signal Processing Models in Musical Acoustics |
| [MUSIC 421] | 3 units | Audio Applications of the Fast Fourier Transform |
Example Course Plan
Fall Quarter
| [MUSIC 192A] | 3 units | Foundations of Sound-Recording Technology |
| [MUSIC 220A] | 4 units | Fundamentals of Computer-Generated Sound |
| [MUSIC 250A] | 4 units | Human-Computer Interface Theory and Practice |
| [MUSIC 320] | 4 units | Introduction to Digital Audio Signal Processing |
Fall Quarter Electives to Consider
There is no room for electives in a standard 15-unit quarter, but here are some courses to consider proposing a substitution for with your advisor (e.g., if you have already had the material covered in one of the required courses):
| [MUSIC 256A] | ? units | Mobile computing |
Winter Quarter
| [MUSIC 192B] | 3 units | Advanced Sound-Recording Technology |
| [MUSIC 220B] | 4 units | Compositional Algorithms, Psychoacoustics, and Spatial Processing |
| [MUSIC 420] | 3 units | Signal Processing Models in Musical Acoustics |
Winter Quarter Electives to Consider at CCRMA
There are 5 units available in a standard 15-unit load:
| [MUSIC 150] | ? units | Musical Acoustics |
| [MUSIC 256B] | ? units | Stanford Laptop Orchestra (SLOrk) |
| [MUSIC 422] | 4 units | Perceptual Audio Coding |
| [MUSIC 423] | 1 or more units | Signal Processing Research Seminar |
| [MUSIC 420] | 1 unit | 4th unit for independent project work |
Spring Quarter
| [MUSIC 154] | 3 units | Composition and Performance of Instrumental Music with Electronics |
| [MUSIC 220C] | 4 units | Research Seminar in Computer-Generated Music |
| [MUSIC 421] | 3 units | Audio Applications of the Fast Fourier Transform |
Spring Quarter Electives to Consider
There are 5 units available in a standard 15-unit load:
| [MUSIC 151] | 4 units | Psychophysics and cognitive psychology of music |
| [MUSIC 421] | 1 unit | 4th unit for independent project work |
| [MUSIC 423] | 1 or more units | Signal Processing Research Seminar |
| [MUSIC 424] | 4 units | Digital Audio Effects |