Difference between revisions of "Counterfactuals in music generation"
m |
|||
| Line 1: | Line 1: | ||
| − | 4/29/21: My project abstract can be viewed here: https://docs.google.com/document/d/1tbPepxLPPV2MJjuzKfh2UqA_vHr0eMc81PPHPzi0mUg | + | 4/29/21: I am now using the DDSP framework in my project. My project abstract can be viewed here: https://docs.google.com/document/d/1tbPepxLPPV2MJjuzKfh2UqA_vHr0eMc81PPHPzi0mUg |
4/20/21: Still playing around with the generative models, trying to get some intuition into their workings and what parameters I can adjust. The [https://magenta.tensorflow.org/coconet orderless composition] property of Coconet is particularly interesting — it seems like the sampling strategy is non-deterministic, and we could run a counterfactual in the vein of "what would have happened if the notes were generated in a different order..." | 4/20/21: Still playing around with the generative models, trying to get some intuition into their workings and what parameters I can adjust. The [https://magenta.tensorflow.org/coconet orderless composition] property of Coconet is particularly interesting — it seems like the sampling strategy is non-deterministic, and we could run a counterfactual in the vein of "what would have happened if the notes were generated in a different order..." | ||
4/15/21: this week, I tentatively narrowed the scope of the project to music generation. I have been experimenting with various music generation models from Google Magenta, including the Music Transformer and CoCoNet. | 4/15/21: this week, I tentatively narrowed the scope of the project to music generation. I have been experimenting with various music generation models from Google Magenta, including the Music Transformer and CoCoNet. | ||
Revision as of 22:43, 30 April 2021
4/29/21: I am now using the DDSP framework in my project. My project abstract can be viewed here: https://docs.google.com/document/d/1tbPepxLPPV2MJjuzKfh2UqA_vHr0eMc81PPHPzi0mUg
4/20/21: Still playing around with the generative models, trying to get some intuition into their workings and what parameters I can adjust. The orderless composition property of Coconet is particularly interesting — it seems like the sampling strategy is non-deterministic, and we could run a counterfactual in the vein of "what would have happened if the notes were generated in a different order..."
4/15/21: this week, I tentatively narrowed the scope of the project to music generation. I have been experimenting with various music generation models from Google Magenta, including the Music Transformer and CoCoNet.
