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Chavín de Huántar Archeological Acoustics Project
= Chavín de Huántar Archeological Acoustics Project =


Acoustic Measurement, Archiving, Analysis and Modeling, and Simulation/Installation
Acoustic Measurement, Archiving, Analysis and Modeling, and Simulation/Installation




• Co-investigators:
Co-investigators:
o John Rick, PhD, Professor, Stanford University, Archaeology/Anthropology
•John Rick, PhD, Professor, Stanford University, Archaeology/Anthropology
o Julius O. Smith, PhD, Professor, Stanford University, Center for Computer Research in Music and Acoustics (CCRMA)/Electrical Engineering (by courtesy)  
•Julius O. Smith, PhD, Professor, Stanford University, Center for Computer Research in Music and Acoustics (CCRMA)/Electrical Engineering (by courtesy)  
o Jonathan S. Abel, PhD, Consulting Professor, Stanford University, CCRMA
•Jonathan S. Abel, PhD, Consulting Professor, Stanford University, CCRMA
o Patty Huang, MA, Graduate Student, Stanford University, CCRMA
•Patty Huang, MA, Graduate Student, Stanford University, CCRMA
o Miriam Kolar, MFA, Graduate Student, Stanford University, CCRMA
•Miriam Kolar, MFA, Graduate Student, Stanford University, CCRMA
Coordinator:
Coordinator:
o John Chowning, DMA, Professor Emeritus, Stanford University, CCRMA/Music
•John Chowning, DMA, Professor Emeritus, Stanford University, CCRMA/Music
Local collaborators:
Local collaborators:
o (Museum director)
•(Museum director)


Team Background:  
Team Background:  
• John Rick has been heading excavations and directing research at the Chavín site since 1995 - Digital waveguide techniques were pioneered at CCRMA by Julius O. Smith III - Smith and Jonathan S. Abel have been working together on acoustic array processing and related problems since 1985 – Patty Huang is a 4th year graduate student working under Abel on physical modeling of reverberant spaces – Miriam Kolar is a 2nd year graduate student with extensive field experience in recording engineering – John Chowning is a composer having long standing interest in spatial modeling. CCRMA has expertise in field measurements, psychoacoustics, digital signal processing, and artificial reverberation.
•John Rick has been heading excavations and directing research at the Chavín site since 1995
•Digital waveguide techniques were pioneered at CCRMA by Julius O. Smith III; Smith and Jonathan S. Abel have been working together on acoustic array processing and related problems since 1985
•Patty Huang is a 4th year graduate student working under Abel on physical modeling of reverberant spaces
•Miriam Kolar is a 2nd year graduate student with extensive field experience in recording engineering
•John Chowning is a composer having long standing interest in spatial modeling
•CCRMA has expertise in field measurements, psychoacoustics, digital signal processing, and artificial reverberation

Revision as of 22:30, 7 January 2008

Chavín de Huántar Archeological Acoustics Project

Acoustic Measurement, Archiving, Analysis and Modeling, and Simulation/Installation


Co-investigators: •John Rick, PhD, Professor, Stanford University, Archaeology/Anthropology •Julius O. Smith, PhD, Professor, Stanford University, Center for Computer Research in Music and Acoustics (CCRMA)/Electrical Engineering (by courtesy) •Jonathan S. Abel, PhD, Consulting Professor, Stanford University, CCRMA •Patty Huang, MA, Graduate Student, Stanford University, CCRMA •Miriam Kolar, MFA, Graduate Student, Stanford University, CCRMA Coordinator: •John Chowning, DMA, Professor Emeritus, Stanford University, CCRMA/Music Local collaborators: •(Museum director)

Team Background: •John Rick has been heading excavations and directing research at the Chavín site since 1995 •Digital waveguide techniques were pioneered at CCRMA by Julius O. Smith III; Smith and Jonathan S. Abel have been working together on acoustic array processing and related problems since 1985 •Patty Huang is a 4th year graduate student working under Abel on physical modeling of reverberant spaces •Miriam Kolar is a 2nd year graduate student with extensive field experience in recording engineering •John Chowning is a composer having long standing interest in spatial modeling •CCRMA has expertise in field measurements, psychoacoustics, digital signal processing, and artificial reverberation

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