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{| border="1"
{| border="1"
|Music 154.
|[[http://ccrma.stanford.edu/courses/154/ MUSIC 154]]
|align="right" |3 units
|align="right" |3 units
|Composition and Performance of Instrumental Music with Electronics
|Composition and Performance of Instrumental Music with Electronics
|-
|-
|[[http://ccrma.stanford.edu/courses/192a/ MUSIC 192A.]]
|[[http://ccrma.stanford.edu/courses/192a/ MUSIC 192A]]
|align="right" |3 units
|align="right" |3 units
|Foundations of Sound-Recording Technology
|Foundations of Sound-Recording Technology
|-
|-
|MUSIC 192B.
|[[http://ccrma.stanford.edu/courses/192B/ MUSIC 192B]]
|align="right" |3 units
|align="right" |3 units
|Advanced Sound-Recording Technology
|Advanced Sound-Recording Technology
|-
|-
|MUSIC 220A.
|[[http://ccrma.stanford.edu/courses/220A/ MUSIC 220A]]
|align="right" |4 units
|align="right" |4 units
|Fundamentals of Computer-Generated Sound
|Fundamentals of Computer-Generated Sound
|-
|-
|MUSIC 220B.
|[[http://ccrma.stanford.edu/courses/220B/ MUSIC 220B]]
|align="right" |4 units
|align="right" |4 units
|Compositional Algorithms, Psychoacoustics, and Spatial Processing
|Compositional Algorithms, Psychoacoustics, and Spatial Processing
|-
|-
|MUSIC 220C.
|[[http://ccrma.stanford.edu/courses/220C/ MUSIC 220C]]
|align="right" |4 units
|align="right" |4 units
|Research Seminar in Computer-Generated Music
|Research Seminar in Computer-Generated Music
|-
|-
|MUSIC 250A.
|[[http://ccrma.stanford.edu/courses/250A/ MUSIC 250A]]
|align="right" |4 units
|align="right" |4 units
|Human-Computer Interface Theory and Practice
|Human-Computer Interface Theory and Practice
|-
|-
|MUSIC 320.
|[[http://ccrma.stanford.edu/courses/320/ MUSIC 320]]
|align="right" |4 units
|align="right" |4 units
|Introduction to Digital Audio Signal Processing
|Introduction to Digital Audio Signal Processing
|-
|-
|MUSIC 420.
|[[http://ccrma.stanford.edu/courses/420/ MUSIC 420]]
|align="right" |3 units
|align="right" |3 units
|Signal Processing Models in Musical Acoustics
|Signal Processing Models in Musical Acoustics
|-
|-
|MUSIC 421.
|[[http://ccrma.stanford.edu/courses/421/ MUSIC 421]]
|align="right" |3 units
|align="right" |3 units
|Audio Applications of the Fast Fourier Transform
|Audio Applications of the Fast Fourier Transform
Line 50: Line 50:


{| border="1"
{| border="1"
|MUSIC 192A.
|[[http://ccrma.stanford.edu/courses/192a/ MUSIC 192A]]
|align="right" |3 units
|align="right" |3 units
|Foundations of Sound-Recording Technology
|Foundations of Sound-Recording Technology
|-
|-
|MUSIC 220A.
|[[http://ccrma.stanford.edu/courses/220A/ MUSIC 220A]]
|align="right" |4 units
|align="right" |4 units
|Fundamentals of Computer-Generated Sound
|Fundamentals of Computer-Generated Sound
|-
|-
|MUSIC 250A.
|[[http://ccrma.stanford.edu/courses/250A/ MUSIC 250A]]
|align="right" |4 units
|align="right" |4 units
|Human-Computer Interface Theory and Practice
|Human-Computer Interface Theory and Practice
|-
|-
|MUSIC 320.
|[[http://ccrma.stanford.edu/courses/320/ MUSIC 320]]
|align="right" |4 units
|align="right" |4 units
|Introduction to Digital Audio Signal Processing
|Introduction to Digital Audio Signal Processing
Line 73: Line 73:


{| border="1"
{| border="1"
|MUSIC 256A.
|[[http://ccrma.stanford.edu/courses/256A/ MUSIC 256A]]
|align="right" |? units
|align="right" |? units
|Mobile computing
|Mobile computing
Line 81: Line 81:


{| border="1"
{| border="1"
|MUSIC 192B.
|[[http://ccrma.stanford.edu/courses/192B/ MUSIC 192B]]
|align="right" |3 units
|align="right" |3 units
|Advanced Sound-Recording Technology
|Advanced Sound-Recording Technology
|-
|-
|MUSIC 220B.
|[[http://ccrma.stanford.edu/courses/220B/ MUSIC 220B]]
|align="right" |4 units
|align="right" |4 units
|Compositional Algorithms, Psychoacoustics, and Spatial Processing
|Compositional Algorithms, Psychoacoustics, and Spatial Processing
|-
|-
|MUSIC 420.
|[[http://ccrma.stanford.edu/courses/420/ MUSIC 420]]
|align="right" |3 units
|align="right" |3 units
|Signal Processing Models in Musical Acoustics
|Signal Processing Models in Musical Acoustics
|}
|}


==== Winter Quarter Electives to Consider ====
==== Winter Quarter Electives to Consider at CCRMA ====


There are 5 units available in a standard 15-unit load:
There are 5 units available in a standard 15-unit load:


{| border="1"
{| border="1"
|MUSIC 150.
|[[http://ccrma.stanford.edu/courses/150/ MUSIC 150]]
|Musical Acoustics
|Musical Acoustics
|-
|-
|MUSIC 256B.
|[[http://ccrma.stanford.edu/courses/256B/ MUSIC 256B]]
|SLOrK
|SLOrK
|-
|-
|MUSIC 423.
|[[http://ccrma.stanford.edu/courses/422/ MUSIC 422]]
|Perceptual Audio Coding
|-
|[[http://ccrma.stanford.edu/courses/423/ MUSIC 423]]
|Signal Processing Research Seminar 1 or more units
|Signal Processing Research Seminar 1 or more units
|-
|-
|MUSIC 420.
|[[http://ccrma.stanford.edu/courses/420/ MUSIC 420]]
|align="right" |1 unit
|align="right" |1 unit
|4th unit for independent project work
|4th unit for independent project work
Line 116: Line 119:


{| border="1"
{| border="1"
|MUSIC 154.
|[[http://ccrma.stanford.edu/courses/154/ MUSIC 154]]
|align="right" |3 units
|align="right" |3 units
|Composition and Performance of Instrumental Music with Electronics
|Composition and Performance of Instrumental Music with Electronics
|-
|-
|MUSIC 220C.
|[[http://ccrma.stanford.edu/courses/220C/ MUSIC 220C]]
|align="right" |4 units
|align="right" |4 units
|Research Seminar in Computer-Generated Music
|Research Seminar in Computer-Generated Music
|-
|-
|MUSIC 421.
|[[http://ccrma.stanford.edu/courses/421/ MUSIC 421]]
|align="right" |3 units
|align="right" |3 units
|Audio Applications of the Fast Fourier Transform
|Audio Applications of the Fast Fourier Transform
Line 134: Line 137:


{| border="1"
{| border="1"
|MUSIC 151.
|[[http://ccrma.stanford.edu/courses/151/ MUSIC 151]]
|align="right" |4 units
|align="right" |4 units
|Psychophysics and cognitive psychology of music
|Psychophysics and cognitive psychology of music
|-
|-
|MUSIC 423.
|[[http://ccrma.stanford.edu/courses/421/ MUSIC 421]]
|align="right" |1 unit
|4th unit for independent project work
|-
|[[http://ccrma.stanford.edu/courses/423/ MUSIC 423]]
|align="right" |1 or more units
|align="right" |1 or more units
|Signal Processing Research Seminar
|Signal Processing Research Seminar
|-
|-
|MUSIC 421.
|[[http://ccrma.stanford.edu/courses/422/ MUSIC 424]]
|align="right" |1 unit
|Digital Audio Effects
|4th unit for independent project work
|}
|}

Revision as of 06:13, 18 September 2009

MA/MST Course Requirements

The following was copied from the Bulletin, Fall 2009:

[MUSIC 154] 3 units Composition and Performance of Instrumental Music with Electronics
[MUSIC 192A] 3 units Foundations of Sound-Recording Technology
[MUSIC 192B] 3 units Advanced Sound-Recording Technology
[MUSIC 220A] 4 units Fundamentals of Computer-Generated Sound
[MUSIC 220B] 4 units Compositional Algorithms, Psychoacoustics, and Spatial Processing
[MUSIC 220C] 4 units Research Seminar in Computer-Generated Music
[MUSIC 250A] 4 units Human-Computer Interface Theory and Practice
[MUSIC 320] 4 units Introduction to Digital Audio Signal Processing
[MUSIC 420] 3 units Signal Processing Models in Musical Acoustics
[MUSIC 421] 3 units Audio Applications of the Fast Fourier Transform

Example Course Plan

Fall Quarter

[MUSIC 192A] 3 units Foundations of Sound-Recording Technology
[MUSIC 220A] 4 units Fundamentals of Computer-Generated Sound
[MUSIC 250A] 4 units Human-Computer Interface Theory and Practice
[MUSIC 320] 4 units Introduction to Digital Audio Signal Processing

Fall Quarter Electives to Consider

There is no room for electives in a standard 15-unit quarter, but here are some courses to consider proposing a substitution for with your advisor (e.g., if you have already had the material covered in one of the required courses):

[MUSIC 256A] ? units Mobile computing

Winter Quarter

[MUSIC 192B] 3 units Advanced Sound-Recording Technology
[MUSIC 220B] 4 units Compositional Algorithms, Psychoacoustics, and Spatial Processing
[MUSIC 420] 3 units Signal Processing Models in Musical Acoustics

Winter Quarter Electives to Consider at CCRMA

There are 5 units available in a standard 15-unit load:

[MUSIC 150] Musical Acoustics
[MUSIC 256B] SLOrK
[MUSIC 422] Perceptual Audio Coding
[MUSIC 423] Signal Processing Research Seminar 1 or more units
[MUSIC 420] 1 unit 4th unit for independent project work

Spring Quarter

[MUSIC 154] 3 units Composition and Performance of Instrumental Music with Electronics
[MUSIC 220C] 4 units Research Seminar in Computer-Generated Music
[MUSIC 421] 3 units Audio Applications of the Fast Fourier Transform

Spring Quarter Electives to Consider

There are 5 units available in a standard 15-unit load:

[MUSIC 151] 4 units Psychophysics and cognitive psychology of music
[MUSIC 421] 1 unit 4th unit for independent project work
[MUSIC 423] 1 or more units Signal Processing Research Seminar
[MUSIC 424] Digital Audio Effects
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