Difference between revisions of "220c-spring-2010"
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* <b>Bjoern Erlach</b> - w/ J. Abel. inter-sampling artifact calibration, acoustic modeling | * <b>Bjoern Erlach</b> - w/ J. Abel. inter-sampling artifact calibration, acoustic modeling | ||
| − | * <b>Charlie Forkish</b> - Produce a stage show. Develop a system that will take inputs from each player (of about five), and visualize each input to [http://www.youtube.com/watch?v=Bh7bYNAHXxw <b>a freakin' LASER BEAM(!)</b>] — using freq. analysis/tracking, envelope tracking, timbre tracking, etc... | + | * [https://ccrma.stanford.edu/~cforkish/220c/<b>Charlie Forkish</b>] - Produce a stage show. Develop a system that will take inputs from each player (of about five), and visualize each input to [http://www.youtube.com/watch?v=Bh7bYNAHXxw <b>a freakin' LASER BEAM(!)</b>] — using freq. analysis/tracking, envelope tracking, timbre tracking, etc... |
* [https://ccrma.stanford.edu/~hanaboy/220c/ <b>Stephen Henderson</b>] - Alzheimer's helped by medial prefrontal cortex? helped by music? | * [https://ccrma.stanford.edu/~hanaboy/220c/ <b>Stephen Henderson</b>] - Alzheimer's helped by medial prefrontal cortex? helped by music? | ||
* [https://ccrma.stanford.edu/~leshg/220C/<b>Grahame Lesh</b>] - Live Video Recording/Editing of a band based on their output. | * [https://ccrma.stanford.edu/~leshg/220C/<b>Grahame Lesh</b>] - Live Video Recording/Editing of a band based on their output. | ||
Revision as of 09:22, 20 May 2010
Contents
Music 220c - Research Seminar in Computer-Generated Music
About the Class
Use the Space Below to Link to Your Project Pages/Wikis
Short blurbs and links to project pages:
- Bjoern Erlach - w/ J. Abel. inter-sampling artifact calibration, acoustic modeling
- Charlie Forkish - Produce a stage show. Develop a system that will take inputs from each player (of about five), and visualize each input to a freakin' LASER BEAM(!) — using freq. analysis/tracking, envelope tracking, timbre tracking, etc...
- Stephen Henderson - Alzheimer's helped by medial prefrontal cortex? helped by music?
- Grahame Lesh - Live Video Recording/Editing of a band based on their output.
- Tyler Maue - Lüp-It: One-man band loop generator.
- Linden Melvin - Live Sound Synthesis to make a Soundscape
- Dohi Moon - Electronic Music + Animation (String Quartet)
- Colin Raffel - Getting Rain Barrels - Live sampling, wireless miking — group music making.
- Michael Repper - Bending Music, Spectrograms for Donald Barra's new book, "Shaping Music"
- Adam Shepperd - Composition for infrasonics. Creation of very low frequency driver using tactile transducers and found satellite dish.
- Isaac Wang - Expansion of 220B project - sonifying twitter updates - Something generative/automated that also sounds good, put interface on server so that people can "tweet" from anywhere. Collaborative.
- Jacob Wittenberg - The Faceless Bass Player. A virtual bass player that can accompany a jazz pianist on a song that the pianist inputs. The first step in a to-be-extended-and-improved model for jazz bass players.
- Xiang Zhang - w/ J. Abel. 3d modeling, acoustic modeling
~
CONCERT PLANNING
Thurs. May 27, 2010
Sound-check SAME DAY. sound-check order:
- Isaac 3:30pm
- Tyler 4pm
- Jacob 4:30pm
- Linden 5pm
- Graham 5:30pm
outside
- Adam 6pm
- Colin 6:30pm
CONCERT order:
- Melvin
- Wittenberg
- Maue
- Bjoern
- Wang
- Graham
outside
- Adam
- Colin
Backyard reqs.
- risers
- screen
- PA
- stage
Rehearsal Times:
- Linden - M 6-7:30, T 6:30-8, W 12-1:30
- Jacob - M 4:15-6, T 10-11
- Tyler - M 7:30-9, W 2:30-4, R 12-1
- Colin - M 3-4, T 5-6:30, W 1:30-2:30
- Adam - W 4-5
- Bjoern - T 9-10
- Isaac - T 8-9, W 5-6,
- Grahame - T 11-12, W 11-12
