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- *Speech used in the experiment where voices by Jason and Hiroko with the intent of neutral stress on vowels. The words chosen were one, tw * Comment diffusion in the Pit with PZM system (Hiroko).18 KB (2,797 words) - 09:03, 2 October 2007
- ** Rodrigo Segnini, Hiroko Terasawa, Vivian Woo -- [http://ccrma.stanford.edu/%7Everplank/250a/2002/Ki7 KB (888 words) - 12:36, 13 August 2007
- * Assistants: [mailto:hiroko@ccrma.stanford.edu Hiroko Terasawa], [mailto:shchon@stanford.edu Song-Hui Chon] ...eas.'' Music Perception 13 (3):401-432. (1996) [http://ccrma.stanford.edu/~hiroko/SGSI07/Krumhansl_MP1996.pdf link]7 KB (1,005 words) - 09:26, 2 October 2007
- * [http://ccrma.stanford.edu/~hiroko Hiroko Terasawa] (voice, video, photo)1 KB (174 words) - 20:43, 18 April 2008
- * Hiroko: voice2 KB (242 words) - 20:52, 18 April 2008
- ...re centered around perception and cognition of contemporary art and music. Hiroko's installations, performance systems, and video works exhibit the complex n12 KB (1,770 words) - 16:58, 4 March 2008
- * Hiroko Terasawa4 KB (586 words) - 22:33, 22 April 2008
- * Hiroko Teresawa (booking): hiroko@ccrma.stanford.edu10 KB (1,663 words) - 14:21, 7 October 2015
- ** Rodrigo Segnini, Hiroko Terasawa, Vivian Woo -- [http://ccrma.stanford.edu/%7Everplank/250a/2002/Ki6 KB (799 words) - 17:24, 11 October 2009
- ** Rodrigo Segnini, Hiroko Terasawa, Vivian Woo -- [http://ccrma.stanford.edu/%7Everplank/250a/2002/Ki4 KB (510 words) - 19:59, 11 October 2009
- ** Rodrigo Segnini, Hiroko Terasawa, Vivian Woo -- [http://ccrma.stanford.edu/%7Everplank/250a/2002/Ki4 KB (561 words) - 20:12, 11 October 2009
- *** Rodrigo Segnini, Hiroko Terasawa, Vivian Woo -- [http://ccrma.stanford.edu/%7Everplank/250a/2002/Ki4 KB (558 words) - 07:15, 29 June 2015