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The Allen&Heath SQ-5 Mixer

CCRMA has an Allen&Heath SQ-5 Mixer in the Stage; this page is about the mixer in general while the Stage Audio Mixer section talks about the specifics of how we connected and use it at the CCRMA Stage.

Allen&Heath SQ-5 (manufacturer page).

Manufacturer’s photo of SQ-5 mixer

Analyzing Sound

The Meters screen (with a corresponding dedicated button under the touchscreen) can meter analog inputs, USB audio inputs, and output channels. The Real-Time Analyzer (RTA) displays the time-varying spectrum of a selected source in third-octave bands from 20 Hz to 20 kHz.

To get in-depth on a single input channel, select the Processing button under the touchscreen and then select the channel (by being in the right layer and pressing the channel’s Sel button); this brings up a sort of channel strip on the touchscreen that displays preamp settings, metering, compression/gating, EQ, and pan (figure), which also animates to show that track’s volume, spectrogram, etc.

The processing channel strip for an input channel of the SQ-5 mixer.

If you go to adjust the noise gate or compressor, you’ll see the track’s continuous volume (and how the effect is affecting the gain).

Pressing the magnitude frequency spectrum display takes you to the track’s EQ page, which displays the spectrum view where you see the channel’s realtime spectrogram and the EQ magnitude frequency responses.

Routing an Input Channel to FX Sends

A label on the mixer tells you:

  1. Press Sel on the channel
  2. Hold down both “assign” and “CH to all mix” buttons; now the faders switch to a view of the speakers, with the “Sel” buttons showing where that input channel is routed to.
  3. With both buttons held down, then press “Sel” on the fx you want to send to (fx 1 and 2 are long and very-long reverbs, 3 is a tape delay, and 4 is a doubler)
  4. Then, once you confirm you have sound coming in from your input on the board, go to Layer B and turn up the fader on the FXReturns for the FX that you want to hear, and you should be good to go!
    1. If you select the fx channel you are working with and select the “FX” button, you can go in and edit the actual parameters of the fx, or you can go to the “FX” button under any input and add effects.

Setting up a Scene

A scene saves the state of the board when you set the scene (fader positions, sends, fx, etc…)

  1. Click “Scenes” button
  2. To recall a scene, click the name of the scene you are looking for and then “Go”
  3. To store a scene, set up the mixer how you want it for your performance, then select an unused # or overwrite an existing scene, select the # you want, name the file after your performance, and select “store”

Setting up Digital Routing Busses (DCA Groups)

  1. Select the channel you want
  2. Hit the “Routing” button
  3. Can select DCA groups or FX sends or which speakers (in which amount) you want to send to on the touch screen
  4. “DCA Assign” and send to whatever group you want
  5. Now, in Layer E, you can control the fader volume for all of the channels going to the selected DCA Group

Grouping or “Ganging” Tracks

  1. Select “Setup”
  2. Select “Ganging”
  3. There are group #s 1-8 in the top of the screen. You can create up to 8 groups. Select the # of the group you want to create.
  4. From here, you can drag and drop available channels (top row) into your group (bottom row)
  5. If a channel is already in another group, you must first drag it out of that group into the top row and “Apply” your changes before you can add it to a new group
  6. The aspects of the channels in the group that will be linked will appear in white, while those left not linked will be in blue
  7. Once these channels are linked, you will only need to change the fader/fx/mute/etc of one channel and your changes will apply to all channels in the group

HOW TO Record Through The Board

Recording Board Setup

  1. Select “Setup” and “Audio” and change “USB-B” to “SQ-Drive”
  2. Leave sampling rate at 48khz
  3. Recall main scene
  4. Go to “Utility” and “SQ-Drive” and then select either Stereo or Multitrack on the top banner.

Stereo Recording

  1. To record: First hit the red “record” button to arm recording, then “play/pause” to start recording, then finally “stop” button to stop recording.
  2. The recorded file now lives on the USB stick under AHSQ→USBREC and will have a filename “SQ-ST___.WAV”
  3. To hear the recording played back from the mixer, select “Stereo Playback” on the same screen and select the filename. The playback will be output through stereo channels 7-8 (USB-Audio)

Multitrack Recording

  1. By default, will record 32 channels of input (Input Layer A, Stagebox 1-16). To change this, go to the I/O panel, then Outputs→IP Direct Outputs, then select output socket “USB” in the top row. Then patch whichever inputs you need (rows) to one of the 32 available channels (columns). For most use cases, this is probably not necessary and you can keep the default I/O routing, i.e. if you are just recording inputs from the Stagebox
  2. To record: First hit the red “record” button to arm recording, then “play/pause” to start recording, then finally “stop” button to stop recording.
  3. The recorded files now live in a folder called “SQ-MT_” the USB stick under AHSQ→USBMTK and will have 32 individual track files (or however many you patched for the output) called “TRK_.WAV”
  4. Playing back the recording from the mixer is more complicated than for stereo recordings, and requires going to the I/O panel and rerouting the Input Channels.

This page of CCRMA documentation last committed on Mon Feb 2 16:51:02 2026 -0800 by Matthew James Wright. Stanford has a page for Digital Accessibility.